The recent FNB Dance Umbrella not only showcased dance in all its diversity; it also offered Robyn Sassen a chance to confront a tricky question

Willem Boshoff has a well-developed sense of himself as a fiction, which made things difficult for novelist Ivan Vladislavic - he had to write a monograph on the artist

From 34 Long Street to Room 14, Graskop, Art South Africa profiles the country's new (or sometimes just improved) galleries

Prince Dube, curator of education at the Johannesburg Art Gallery, discusses some of the intricacies involved in curating Dumile Feni: A Retrospective

Dumile Feni's township work contains one of the more credible struggle oeuvres to come out of this country, writes Ivor Powell. But the artist also produced an erotically charged body of work that is inescapably celebratory in character

Leigh Voight's classically attuned art presents viewers with questions of a distinctively contemporary character, writes Sean O'Toole

Critics have dubbed The Lost City Entertainment Resort a colonial-style fantasy landscape. Jeanne van Eeden argues that the picturesque aesthetic is an important component of this perception

Mutual Heights, a former Art Deco office block retrofitted as an inner city living space, poses many unresolved questions for Sanford S. Shaman

As both noun and verb, the word neglect speaks about failure; the failure to give due and proper attention to somebody or something. Accepting that this troublesome word has the potential to be widely interpreted, Art South Africa invited a range of writers to offer their thoughts on neglect as it pertains to art production in South Africa. Jillian Carman, Mario Pissarra and Wilhelm van Rensburg each responded with a distinctive view.