ISSUES

Art South Africa v3.1

SEPTEMBER 2004

Art South Africa v3.1

Note:
Indicates that the article is only available in the magazine.

News

A very tall story

They might now be regarded as the epitome of tourist kitsch, but giraffes were once objects of profound wonder. Kim Gurney reports on a new puppet show that celebrates this arcane history

Bodies of Meaning

The photographer Gary Schneider, who studied at Michaelis in the 1970s, will shortly have a new book published by Aperture. Bronwyn Law-Viljoen introduces him back to South Africa

Curating the Future

The exhaustive curatorial and selection process that informed the second Brett Kebble Art Awards was an eye-opener, writes Khwezi Gule

Disciplined Language

The Wits Institute for Social and Economic Research WISER has done much to revive the role of the public-intellectual debate. Jillian Carman, however, wonders about the institution's commitment to discourse around visual art

Farewell to Drums

Samson Mudzunga is one of 17 local artists participating in the group show Personal Affects, in New York. Diane Reddy visited him in Limpopo province

Freshly Ground

Fashion houses like Black Coffee are referencing a truly local aesthetic, says Charl Blignaut. After visiting SA Fashion Week, he asks whether the annual event is helping to successfully forge a national design identity?

Picking up the Pieces

The Johannesburg Art Gallery has a new director. Former JAG curator Brenton Maart met with the new man in charge, Clive Kellner
News, Investment Focus, Letters to the Editor


Features

(BLANK)

Pieter Hugo's Portraits of people with melanin deficiency confront viewers with the necessity of speaking in a new vocabulary, writes Sean O'Toole

A Ball of Light in the Hand

Artists' books are something of a subterranean art in South Africa. In this primer, Robyn Sassen offers an insight into this marginalised art form

City Centre / Overseas

The postcolonial landscape is not easily defined. In a thoughtful collusion of text and image, Johannesburg-based writer Ivan Vladislavic muses on a landscape both strange and familiar, his words serving as a complement to Roger Palmer's fractured glimpses of the postcolonial world

Nadir to Zenith

The photographer Jo Ractliffe has often been criticised for producing "boring" and "difficult" images, her studies of the land dismissed as "blandscapes". Rory Bester offers a timely re-evaluation of her earlier, black and white output

Other Landscapes

Contemporary South African landscape painting has shaken off a troubled past and is anything but staid, writes Virginia MacKenny

Unspeakable Landscapes

Santu Mofokeng once remarked that his photographic studies of the landscape surrounding Auschwitz and Krakow represented an attempt to "explore the banality of horror", By Bronwyn Law-Viljoen


Exhibitions

A Place Called Home

KZNSA GALLERY, DURBAN

Contra Mundi

ASSOCIATION FOR VISUAL ARTS, CAPE TOWN

Frances Goodman

GALLERY IN THE ROUND, GRAHAMSTOWN

Images of Defiance

MUSEUMAFRICA, JOHANNESBURG

Ina van Zyl

ART ON PAPER GALLERY, JOHANNESBURG

James Webb & James Sey

THE BEETHOVEN ROOM, GRAHAMSTOWN

Julia Rosa Clark

JOãO FERREIRA GALLERY, CAPE TOWN

Kathryn Smith

MONUMENT GALLERY, GRAHAMSTOWN

Keith Dietrich

US ART GALLERY, STELLENBOSCH

Kudzanai Chiurai

ZUVA GALLERY, JOHANNESBURG

Local

FRANCHISE, JOHANNESBURG

Malcolm Payne

GOODMAN GALLERY, JOHANNESBURG

Manfred Zylla

GALLERY MOMO, JOHANNESBURG

Ndiyindoda! Initiation as a Rite of Passage

STANDARD BANK GALLERY, GRAHAMSTOWN

Nicola Grobler

ERDMANN CONTEMPORARY, CAPE TOWN

Paul Emmanuel

MONUMENT GALLERY, GRAHAMSTOWN

Side Gallery

SIDE GALLERY, GRAHAMSTOWN

The Odd Enjineers

VICTORIA GIRLS HIGH, GRAHAMSTOWN

Three Young Painters

MICHAEL STEVENSON GALLERY, CAPE TOWN

Through the Looking Glass

ALBANY HISTORY MUSEUM, GRAHAMSTOWN

Titus Matiyane

THE PREMISES, JOHANNESBURG

Watkin Tudor Jones

BELL-ROBERTS GALLERY, CAPE TOWN

William Kentridge

MONUMENT, GRAHAMSTOWN

Back Issues


Back issues are available at the Bell-Roberts Publishing premises. Alternatively, you may order from here or by e-mail.

9.1
9.1
EXPERIMENT: THE NOW
Painting focus for spring

"Painting is unforgiving, instantly revealing levels of integrity, which can be veiled in other mediums," states Lisa Brice in an interview with fellow painter Godfried Donkor in the spring edition of Art South Africa.
8.4
8.4
When ideas take form:exhibitions and exhibition makers
Prompted by the a number of large-scale exhibitions in South Africa in recent months, the new winter edition of Art South Africa is devoted to exhibitions and exhibition makers.
8.3
South African artists on seeing, thinking, making, living...
Writing in the December 2008 issue of Art South Africa, art historian Marilyn Martin lamented "the dearth of texts by artists" in recent times. The March 2010 edition of Art South Africa, which will be launched in Cape Town at Design Indaba Expo(February 26-28, stand B11), directly addresses this absence.
8.2
Three Essays on Photography
The past decade has seen a number of South African photographers rise to local and international prominence. The Summer 2009 issue of Art South Africa, on shelf from December 1, 2009 through February 28, 2010, profiles three highly awarded talents: Pieter Hugo, Mikhael Subotzky and the collaborative duo of Adam Broomberg and Oliver Chanarin.

8.1
Art, Architecture and Auctions

7.4
Black, white and some other colours too
A striking, and in its own way challenging portrait of artist Brett Murray in blackface introduces readers to the latest issue of Art South Africa, currently on shelves. The latest issue offers a compelling mix of irreverent fun and necessary pause.

7.3

7.2
Bring me my machine gun

7.1
Weighing the Africa in South Africa

6.4
The order of things

6.3
On artists and the environment
Artist profiles form the basis of the March 2008 issue of Art South Africa.

6.2
On image making and writing
Three leading literary voices shape the content and tone of the summer edition of Art South Africa, available at leading bookstores from December 1, 2007.

6.1

5.4
2007 Winter Edition

5.3
Following on a series of themed and polemical editions, the first issue of Art South Africa for 2007 takes a refreshingly open-ended approach.

5.2
Eroticism in SA Art
Focussing on sex, sexuality and eroticism in South African art

5.1
SPECIAL ISSUE: The Pan-African Conversation

4.4
The Picasso & Africa Debate

4.3

4.2

4.1

3.4

3.3

3.2

3.1

2.4

2.3

2.2

2.1

1.4

1.3
1.3

1.2

1.1

 

 

 

JHB

Graham's Fine Art Gallery

1 SEP - 30 NOV 2010, Graham's Fine Art Gallery
JHB

Barend de Wet

2 SEP - 10 OCT 2010, Nirox Foundation Project Space
CPT

Winter Exhibition

1 JUN - 30 NOV 2010, Rose Korber
CPT

Ghoema & Glitter: New Year Carnival

6 JUN 2010 - 31 JAN 2011, Iziko Good Hope Gallery
MP

The Artists' Press

1 SEP - 30 NOV 2010, The Artist's Press
DBN

African Art Centre

1 SEP - 30 NOV 2010, African Art Centre
NYC

South African Projections: Films by William Kentridge

2 MAY - 19 SEP 2010, Jewish Museum New York

GOODMAN GALLERY CAPE, CAPE TOWN

Carpentry 101

EDITED BY CHRISTIAN NERF AND UG IMBERG (EDS)
MoCa

Penny Siopis

EDITED BY KATHRYN SMITH
Bell-Roberts Publishing, Goodman Gallery Editions
© 2009 Bell-Roberts Publishing. All rights reserved. All images courtesy of individual artists and/or their galleries. Terms of ServicePrivacy Policy